Keith Newlove’s practice moves between drawing, textiles and sculpture, attending to the ways a line can become a material presence. This untitled work invites a related consideration of surface and structure. Rather than treating an image as separate from its support, Newlove’s wider approach encourages attention to how a work is made and how its materials affect the act of looking.
Catalogue record and images from the Joseph Clark Collection. Rights in the work remain with the artist or their estate.
