untitled: grinder brings Phyllida Barlow’s invention of forms into an intimate work on paper. Acrylic becomes a means of exploring structures that need not resolve into either a recognisable object or a proposal for sculpture. Made in 2014, the painting belongs to a practice in which drawing and painting pursue their own possibilities alongside larger constructed works.
Catalogue record and images from the Joseph Clark Collection. Rights in the work remain with the artist or their estate.
